An ode to the single most relevant type of human being on the planet - the mother

This is a poem by Seamus Heaney called "While all the others were away at Mass". My 17 year old daughter Emma voted for it recently in the Poem for Ireland initiative. It's a breathtakingly beautiful poem. Have a read of it. It's very appropriate as we get near to Mother's Day. When you have read it, please have a read of the reflection on it written by my daughter - it too is breath taking and full of courage. 

WHILE ALL THE OTHERS WERE AWAY AT MASS

When all the others were away at Mass
I was all hers as we peeled potatoes.
They broke the silence, let fall one by one
Like solder weeping off the soldering iron:
Cold comforts set between us, things to share
Gleaming in a bucket of clean water.
And again let fall. Little pleasant splashes
From each other’s work would bring us to our senses.

So while the parish priest at her bedside
Went hammer and tongs at the prayers for the dying
And some were responding and some crying
I remembered her head bent towards my head,
Her breath in mine, our fluent dipping knives–
Never closer the whole rest of our lives.

Emma's thoughts on the poem 

I had to wrench tears from my eyes as I read Heaney's bereaved stanzas, ironed out in unrepressed wistful sadness. It is a very real fear, losing one's mother and it prevails even before we have grasped what death is, in the clutch of that desperate desire for intimacy that Heaney so artfully elicits. I recall grasping at the fogginess of youth for those crystallised memories, incidents, anecdotes, monumental moments to cradle for comfort if she lost that hospital bed-bound battle and left me with a two year old to convince of her existence, once upon a time.

For as much as we might quarrel with them, cast disgruntled glances, warning shots at them across a room (in the naval battle of making tea); a mother is something precious.

For me, Heaney’s poem captured that often unstated tenderness amid the tumult of growing; the moment of mutual affection that manifests in trading a tube of Pringles, munching over dialogue, being taught the inner workings of an avocado, debating the prudence of bananas in a smoothie.

This poem spoke to me because I carry that fear of losing my mother constantly - every blip on her health radar, every hospital stay, every infection……. There’s an intimate familiarity that accompanies the word cancer, and to all the furious tears I have streaked into hoodies.

I love baking with my mother, even though she’s an utter, unabashed dictator when it comes to the precise operation of an electric whisk, because I think that I will remember those burned cookies, that delicious chocolate fudge, the joy she’d take in smashing pistachios with a rolling pin forever.

Mothers are mythical creatures, with the wisdom of Athena, the beauty of Apollo, holding the endless ire of Zeus in reserve for matters as varied as:

·         other people who dare to use the road in a less than pristine fashion,

·         lightbulbs,

·         the grubby inside of the oven,

·         carol singers,

·         bananas,

·         invading hoards of eight-legged hell hounds (also known as spiders),

·         and, most vehemently, anyone who attempts to harm the insolent beings she expended hours ushering from her womb.

For me, “While the others were away at Mass” is a worthy champion of Irish poetry, and an ode to the single most relevant type of human being on the planet – the mother!

End of Emma's thoughts

Happy Mother's Day to all the wonderful Mum's out there, especially those who are battling serious illness. I hope that if you have a daughter, that you are as lucky as I am .........

Brenda xxxx

 

 

 

 

 

 

 

 

 

 

Love Can Be Enough

Guest post by Emma Tobin 

Love Can Be Enough 

“Perhaps all the dragons in our lives are princesses who are only waiting to see us act, just once, with beauty and courage. Perhaps everything that frightens us is, in its deepest essence, something helpless that wants our love.”

~ Rainer Maria Rilke

There are tragedies in human history that cannot be captured in words, calamities that have ravaged the world in fire and bombs, evil that we can hardly comprehend stretching ghostly fingers over our sleeping homes. As humans, we are awfully flawed, but we do have some redeeming qualities, light that makes these memories feel survivable. For all that we feel compelled to kill and maim and hate one another, we have also found something called love.

The universe is filled with bright stars and things as pleasant as coffee and baths and spices, but nothing our human hands have created can ever quite amount to that moment - you feel it juddering between your ribs - when you realise that you love something, or someone, more than you could ever hate them. Oh, and love has cracks and edges, but it swallows you, like a dragon with its great lolling tongue of complications.

Love isn’t wound dressing, it doesn’t make scars fade or turn our lives into magic kingdoms complete with frolicking unicorns and confetti, but it does make a difference. When old grief comes skulking back there’s a hand to hold, a voice that holds our heart in its lilt to soothe the throbbing in our souls. We spend a lot of our time thinking about love, be it love for a person or love for the way that the stars poke through clouds to light up dark places. It’s a human affliction, and as much as it aches, it’s also the most important thing we possess.

As much as love is terrifying and sharp and potentially ruinous, without it we couldn’t have things like poetry and art and dragons. There’s a reason why George Orwell uses romance as the greatest wad of spit in the face of totalitarianism, because love is personal and powerful, and the greatest act of rebellion against an unkind universe is to love anyway, love despite scars and tragedies, love not in order to forget but to dignify the value of human life lost. Love can drive us crazy and prop us up and pull us down, and like anything important it doesn’t have to mean the same thing to everyone.

Some people find love in books, some in numbers, some in people and some in religion. Some people love coffee. The luckiest people find love in themselves. Love is smiling stupidly and hearing your heart shudder your ribs with its surety. Love is when someone says your name like they mean it, when they look at you like you’re more interesting than their shoes. When they forget that anything else exists but you.

I’ve always thought that the most important lesson we can learn from religious faith is that love prevails. I adore the uncompromising belief in children that the one definite thing that God means is love. They see God in their family and their friends and in the things they like to do. Sometimes I think we don’t need to make it more complicated than that. Capitalism has made life all about success, be it financial success or academic success, but when it comes down to it, love is more important than all of that. Love is the root of passion and belief and art.

It’s easy to forget that success does not always have to mean what the world tells you it means. It can mean finding a fantastic book to read or making a new friend or the perfect cup of tea. And love, likewise, is up to you, defined by you. Just because it isn’t drenched in dramatic overtures with sundry explosions in the background doesn’t mean that it shouldn’t be the centre of the universe your eyes create. So what if you scratched the car? You have a small pet at home who greets you with wide eyes and bounteous excitement. So what if you’ve got stretch marks and tired eyes? You have peaceful sleeping and peach-scented moisturiser in your future.

The world endeavours to convince us that love is a function, like eating and sleeping, but sometimes, when nothing else makes sense, love can be enough.

 

 Emma Tobin 

January 2015 

The Sins of the Children by Emma Tobin

The mute, mothball shrieks of children dying under mother’s hands
And the fractal bursts of fractured light that hit
As the world tumbles over itself, leaving vague moments...
Like fingernails between the stones

While we, like disapproving books on dusty shelves
Clasp coffee cups against the precious beating of our hearts
Toss cynicism between one another, each drop of sweat a privilege
Each breath a human right

Stuffed straw mouths and shining hair
Religious freedom weighs more than dead children
Leaving corpses littered like cigarettes
Colours in a twisted dream of heaven

Matchstick ribs jutting, but we stood on the moon
How fragile have we made our one,
short and common life? How easily
our complacency is bought.

And in the dull light of big- mooned skies
Ragged lines of blood stutter down, rough
touches underneath a fluorescent fire. Severed
heads belching, toddlers left for flies.

In empty houses seashells wait for pudgy fingers
now bludgeoned shades of navy blue. And
our tots writhe on the warehouse floor, unable
to comprehend a world without Lego.

These shells will not creak in a gruff wind
Stretched lopsided over an imagined territory
An imagined safety, an imagined,
tender world.


Copyright: Emma Tobin (age 17)
September 2014

Guest post - POEM by 17 year old Emma Tobin

This is my daughter Emma's poem that she wrote for Hopkins Summer School and which no doubt contributed to her winning the overall award. 

One Giant Fuck-Up is Mankind

I.
It was midnight and I lay reeling
Painting myself red.
Wondering why the world felt, suddenly
Like a cage and not a castle.

I have practiced dying all my life
Like a dancer, the poetic pirouette.
I’ll cut so you can’t stitch me up
Horizontal – like the line I crossed

Were puppets meant to cut their own strings?

These razor-bites are questions
I’ve sewn my shaking lips shut
This is my mustered eloquence
Wet stains on toilet paper

Humankind: A Question, posed out of rhyme

II.

When did the light behind our eyes
Morph, meticulously into black and white?
Our morals like soldiers, lined
Neatly, streets stacked with
-Corpses, like hedgegrows

When did it become polite to look away?
When did warzones come back into fashion?
Diplomacy the excuse you cite, credentials
Who said it was neat to build towers on corpses?
Because those are some shaky foundations

When did happiness become a privilege?
When did constellations become stars?
When did it become all we could do
not to slit our life open – little fish?

A kiss would push your breath back in you
But today it is a crime to love
A sin to steal a kiss
Today who we love is a label.

We are the martyrs
We are the clowns
These are our screams
This is our blood
Can you feel it?
Sticky on your hands.

III.

It was midnight
It was morning
I was mourning

For the children with severed hands
For the lovers with electrodes and shaved heads
For the girls with blood on their thighs
For Jesus, who thought we might learn to love

For the ghosts of Mai Lai
For the starved with numbers on their arms
For the healers burned in fear
For the mothers tied to beds

For the victims of justice
For whiskey’s favourite punching bag
For the people who were owned
For those who fell off the buck
When it stopped here

These cuts are questions
This blood, the reply.

Copyright: Emma Tobin 2014